Old Mansion, New Office

I’ve settled in to my new office.

At the beginning of January, I moved my office from a 1972 building in Cherry Creek to a 1920 building in Capitol Hill.  Although there’s so much to love about my new office, the gentle hot-water heating and the natural light are at the top of my list.  The loud 1970’s HVAC and fluorescent lights in the old office were wearing on me.

I’m now in the Historic Kistler-Rodriguez House.  Here’s an old photo, which I copied from the nomination form for the building’s historic designation.

Kistler-Rodriguez House old photo

 

Denver’s Capitol Hill has a number of large old mansions that are currently used as office buildings.  There’s an interesting reason for this.  Denver’s 1957 zoning code drastically “up-zoned” Capitol Hill, which at that time was covered with single-family houses, to residential high-rise zoning.

Capitol Hill’s proximity to downtown Denver makes its land valuable, so demolishing houses to make way for high-rises started to make a lot of economic sense.  But Denver’s citizens didn’t want all of its historic mansions destroyed, so an interesting exception was carved out in the zoning code to allow for designated Historic buildings in residential-zoned districts to be used for office use.

The highest and best use for these properties was suddenly less clear. Demolition to make way for more dense income-producing residential buildings was no longer necessary; with a few alterations, these buildings could generate more income per-square-foot as office buildings than they could as residential buildings.  This exception saved many historic buildings from destruction by allowing them to produce more income for their owners than residential use could, which de-incentivized their demolition.

Shortly after the photo above was taken in 1982, a “glass box” addition was added to the south side of the building.  It’s a pretty cool addition, and, to use a word favored among architects, a nice juxtaposition of 1920’s and 1980’s.

The Kistler-Rodriguez House, also known as the Dominican Republic Consulate, was designed by Jules J.B. Benedict, and was built in 1920. It was designated (entered into the National Register of Historic Places) in 1983.

I’ve often called the building the “Governor’s Park Dental” building, because my dentist has been the main tenant of the building for the last 30 years.

The Denver Public Library has more information on the building here, and here’s a link to the National Register Nomination Form that was submitted to the Department of the Interior.

Working on historic preservation in Denver is still important today. Among other things, Capitol Hill United Neighborhoods (CHUN) Historic Preservation Committee works on getting historic buildings designated as Historic.  To get involved, start by learning more, here.

A Silly Solution

DesignIntelligence has published a new article by Scott Simpson, FAIA. “What Have We Learned?” is well-written and lays out some of the problems in the profession of architecture right now. http://www.di.net/articles/what-have-we-learned/

The article mentions that most owners find architects’ construction documents inadequate.

I just posted the following comment on the article. It’s not showing up yet. It might soon, it might never. I feel strongly about this, so I am sharing it here.

The article states that “…92 percent of owners do not believe that architects’ construction documents are suitable for the purpose intended.”

How can attempts “to prove that ‘good design is good business'” possibly solve this problem? Will SOMEONE ELSE fulfill the task of producing adequate construction documents while architects busy themselves with “becoming conversant” in “good business” and making up new “value propositions” to offer to potential clients?

Adequate information with which to construct buildings will still be necessary, whether it’s in digital form or on paper. Someone needs to produce this information. For hundreds of years, architects have been the people doing this. This is what architects are licensed to do. It still needs to be done. 

Encouraging architects in different directions, without addressing how this need for adequate construction documents is to be fulfilled, is silly.

Bad behavior in toddlers is best addressed by redirection (“Don’t pull the flowers off the bush; here’s a ball instead!”) Redirection is NOT the appropriate remedy for inadequate performance of NECESSARY duties.

Architects ought to be producing good construction documents. I believe that this is our primary obligation under the terms of our licensure. If we don’t, who will?

The Construction Specifications Institute can help. Have you seen the new CSI logo? The new tagline is “Building Knowledge. Improving Project Delivery.” Good construction documents are achievable, but you can’t produce them unless you understand building technology and the principles of construction documentation. If you want to start building your own knowledge about how to produce good construction documents, check out CSI. http://www.csinet.org

New directions for architects may be necessary. But basic obligations of architects are not being fulfilled. We must master the basics before we can move in new directions.

Perpetuating a Misconception

Do we have an obligation to stop perpetuating a misconception that we know is out there?  Or is it ok to keep it going, because it’s easier to gloss over it, instead of stopping conversation to correct the misconception?

Nope, I’m not talking about the girlfriend of a certain football player from my alma mater.  I’m talking about the misconception that someone who has a degree from an architecture school and designs buildings is an architect.

Now, there’s a difference between cocktail party conversation and written articles that reach a wide audience.  There are social skills and then there are conversation stoppers; there are manners on one hand and truth in journalism on the other hand.

I recently emailed with a newspaper writer.  He had written an article about the beautiful remodel of a home, and in it, he referred to the “architect” several times.  The designer of the remodel appears to be in the middle of taking his licensing exams, but does not appear to be a licensed architect.

I wrote to the writer that I felt compelled to inform him that a design professional cannot be called an “architect” in Colorado unless he or she is actually licensed as an architect in Colorado, and that although a licensed architect is not required for design work on a house, only a licensed architect is allowed, by law, to call him- or her- self an “architect.”

The writer wrote back that he knew all that, but in his mind, and in the mind of almost all readers, since the design professional has a degree in architecture, he’s an architect.    

What is the writer’s obligation as a journalistAccuracy, or an article that flows like a cocktail party conversation?

What is my obligation as a licensed architect?  I have been told by the Colorado arm of the American Institute of Architects that it is my “duty as a licensed architect to report anyone that is using the term architect and is not licensed to the state licensing board, per the licensing law.”

The architecture profession does a great job of letting the profession know that intern architects shouldn’t call themselves “architect” until they’re licensed.  But the architecture profession doesn’t do a good job of getting the word out to the general public.  And I believe that this can cause problems for consumers.

Here are a couple of recent posts of mine about this issue:

“’Sunset Review’ of Licensure for Architects”: https://lizosullivanaia.wordpress.com/2012/10/17/sunset-review-of-licensure-for-architects/ and

“Really?!? ‘Who Cares Who’s a Licensed Architect?’” https://lizosullivanaia.wordpress.com/2012/10/23/really-who-cares-whos-a-licensed-architect/

If anyone (besides Manti Te’o) has suggestions for me, about how to continue to correct misconceptions, while continuing to practice good manners, please let me know.  I’m really at a loss, here.

Right, or Not Wrong… or Just Plain Wrong

The gist of David Stutzman’s August 2010 blog post, “’Right’ or ‘Not Wrong’ – Choose Your Specs Wisely,” has remained in my head since I first read it.  “Right” or “not wrong” is something that I think about as I make my way through the preparation of project specifications in an early design phase of a project.  For progress sets in Design Development Phase and early Construction Documents Phase, I always shoot for “right” or “with-lots-of-notes-to-architect.”

In that post, Dave wrote:

Specifications can be written so they are “right” or so they are “not wrong.”   These two are very different.

“Sometimes specifiers are forced to write a “not wrong” spec. This usually occurs when the design schedule is short, when the specifier is asked to start near project completion, when little documentation of product selections exists, or any combination of these. The “not wrong” spec is generic, non-specific. It lists basic products and materials, but does little to address project specific conditions. The detail of terminations and interfaces with adjacent materials – issues that can easily lead to failures – are glossed over or not even mentioned.  This lack of specificity can lead to unnecessary, expensive change orders. Processing these change orders increases construction administration costs, and can result in budgetary disaster on a project.

“To produce a spec that is “right,” the specifier must understand the project and the design intent.” ~ David Stutzman

When “not wrong” specs are further edited to be project-specific, and therefore “right,” they can save time and money for the contractor, owner, and architect.  “Not wrong” specs tend to push design decisions into the construction phase.  Design decisions cost less money when they’re made in the design phases, and specs that are “right” are issued.

Now, from the “Things I Shouldn’t Even Have To Say” file:

“Not wrong” specs are not great, but sometimes I see “just plain wrong” specs.  Sometimes such specs actually contain mentions of the wrong owner, the wrong building, or the wrong city.  (If the spec section is for an engineering discipline, or audio-visual systems, or kitchen equipment, this is often the only way I, an architect, know it’s wrong.)  This is an embarrassment to the entire design team.

I think this happens because of a combination of two factors:

First, in early design, people figure, “oh, we’ll do it like that one project, except for this, and that…” and they think it’s ok to issue, as part of a progress set, the finished specifications from that old project, to make the set look more complete.  It’s not ok.  Every project is different.  If you need a “placeholder,” then consider issuing a complete Table of Contents for the Project Manual, naming all the spec sections that will be included in the final issue, and indicating which sections are not included in this progress issue, but will be included in the next.  Do not issue something that is wrong.

Second, many design professionals simply do not understand the importance of specifications.  Specs are much more than just a “deliverable” due to the owner.  Specifications are an inextricable component of the construction documents, even in early design phases.  If someone is estimating the cost of the project (and someone almost always is, even in early design phases) that person is using the issued progress set specs to help to determine what is supposed to be in the project, and therefore, how much the project will cost.  Don’t issue a spec section if it doesn’t say what you want it to say.  Hint – you must read it before you can know whether it says what you want it to say or not.

“Not wrong” specs can lead an estimator down the correct path, just not quite far enough.  “Just plain wrong” specs usually lead that estimator all the way down the wrong path, wasting time and money for everyone.

If you’re not finished preparing your specs when your deadline comes, issue something less, issue something smaller, but don’t ever issue something that’s just plain wrong.